Ok, there
are romantic comedies. I accept that they exist. But why
are there so many different ones all about the same thing
and the same story. You can call me a pessimist when it
comes to the conception and storyline of the romantic comedy
but when it stars Ashton Kutcher and Amanda Peet, I gotta
scream foul.
Kutcher
and Peet star as pseudo-versions of star-crossed lovers
except that instead of getting all droopy eyed and checking
each other out they decide to have a mid-flight romp in
an in-flight lavatory during a cross country flight. Then
well after joining the mile-high club, they still aren’t
sure if they like each other.
The
rest of the film takes place over the course of ten years
while Kutcher and Peet keep running into each other or by
desperation phone call. Each carry on relationships with
other people but always have each other in the back of their
minds.
Oh be
still my bleeding heart, will these dumb-schmucks find true
love? Is this Hollywood? You betcha.
I will
try to calm down my sarcasm and try to give you a logical
reason why this film is worse than any other romantic comedy
out there but to be perfectly honest, I can’t. The
reason I can’t separate it out from the ever growing
genre is that it’s a cookie cutter version of all
the other ones. Will they or won’t they?
I do
have to admit that the film’s script does have hints
of brilliance and some interesting lines but with Ashton
Kutcher and Amanda Peet uttering them I feel absolute pity
for the screenwriter. It’s not like you are watching
a brilliant script being delivered by the likes of Ethan
Hawke and Julie Delpy in “Before Sunrise” or
Billy Crystal and Meg Ryan in “When Harry Met Sally”.
I had
a lot of problems with this film especially when it came
to the adequate performances of the film’s leads.
I liked some of the script but felt it needed help in some
portions. I am still waiting for this year’s “Garden
State”.
A bracingly
original tone makes this film stand out from all those romantic
comedy clones. It's strikingly well shot and acted, without
resorting to sitcom silliness or hyperactive inanity. Then
just when it should end on a sigh, it spirals into the same
old stupidity.
Oliver
(Kutcher) and Emily (Peet) meet on a Los Angeles-to-New
York flight that produces an instant spark between them.
A chance meeting in Manhattan (!) cements their bond, but
the sweetly goofy Oliver has a strict five-year plan to
make his fortune before finding a girl and settling down,
while the coolly aloof Emily feels he's not quite right
for her. Over the next seven years they'll meet again--and
again--as their life paths refuse to take them where they
expect to go.
The
end isn't in doubt; it's a romantic comedy after all. But
the humour is of the gentle, grounded variety rather than
snappy-wacky movie style, so the film runs in recognisable
rhythms of conversation and relationships. The cast and
crew make this work beautifully--the writing, directing
and acting all have a warm authenticity. Despite a reliance
on coincidence, the plot is involving and full of superb
sequences that are hilarious and/or yearningly passionate.
Both Kutcher and Peet create intriguingly complex characters
who are charming, funny and touching, with strong chemistry
between them. And the supporting cast is excellent, adding
nice texture to the story.
The
idea is that we over-plan our lives, and as a result miss
love when it appears. Which makes the film's farcical epilogue
seem even more painfully tacked on, forcing the characters
to leap to wrong conclusions and abandon their personalities
for a few madcap scenes. It's the kind of contrived and
false conclusion created by and for test audiences, and
until it kicks in (there's a moment in an art gallery when
it starts), this is one of the more original film romances
out there--When Harry Met Sally for the 21st century. So
it's even more of a pity that it takes such a corny, cheap
route to the lovely final moment.
Seven
years ago Oliver (Kutcher) just happened to meet Emily (Peet)
on their way to New York. After a very brief encounter,
the pair makes a connection but time and circumstances keep
them from going any further. As they part they make a bet
to see if Oliver will become a success and he gives Emily
his parent’s phone number, telling her to call him
in six years when his plan comes into fruition. Fate plays
a part however, and the two do meet up again but never at
the right time.
Can
the path of true love last for over seven years? This the
question that ‘A Lot Like Love’ poses but the
even bigger question is that can it keep you engaged for
one hundred and seven minutes.
Fleeting
romances have been a stable part of the rom-com genre and
even though the ending is as inevitable as it is predictable,
it is the journey to that point that has to keep you engaged.
The standard barer for the on of relationship comedy is
‘When Harry Met Sally’, so any film trying to
live up to this rom-com legend has a hard act to follow.
‘A Lot Like Love’ doesn’t come close but
it is still enjoyable all the same.
Love
him or hate him, Ashton Kutcher seems to be more famous
for his off screen life than his on screen persona. As his
personal life continues to fill the tabloids and his movie
choices still not been the best, you forget that there is
an actor trying to gain some real attention for his craft
but with the odd the exception (mainly ‘The Butterfly
Effect’), he just hasn’t given it a chance.
This movie goes some way to changes that. While this might
not win any awards, the film finally shows that Kutcher
can be a rom-com leading man. As Oliver, he is an everyman
with a dream, the nice guy everyone likes and someone you
wouldn’t mind as a friend. This makes a change from
his usual, over the top persona that comes across in films
and on his hit TV show ‘Punk’d’.
Amanda
Peet is a talented actress that is starting to makes some
waves on the big screen. Besides from been beautiful, the
actress has a talent for creating believeable characters
that you would almost certainly want to know or even fall
in love with. As Emily, she is a woman who goes through
many changes over the seven-year period. From rebellious
rock chick, to needy girlfriend, to a woman with a goal,
Emily is a character that is easy to connect with and get
behind.
The
combination of these two characters makes the movie more
watchable than it could have been. The chemistry of the
two leads helps this greatly, as British director Nigel
Cole (Calendar Girls) takes you through their seven year
on-off relationship with skill and passion that easily draws
you in.
‘A
Lot Like Love’ is a great date movie that doesn’t
just pander to either female or male takes on romantic comedies.
There is a lot to enjoy here, as it is one of those films
that men will not have ‘fake’ enjoyment, just
to score brownie points with their better half.