Married/Unmarried
Movie Review:
With
striking visual imagery, strong performances and a daring
approach to themes and narrative, first-time filmmaker Noli
proves to be a talent worth watching. Although he could
lighten his extremely self-conscious style to make it a
bit more accessible.
Two
couples in London--four friends--circle around each other
like sharks, one of which has much bigger teeth! Paul and
Amanda (Seganti and Bellman) have been married for seven
months; they're happy, but Paul is straining to cope with
Amanda's obsessive jealousy and paranoia about everyone
he's ever known. Their unmarried friends Danny and Kim (Daniels
and McMenamy) are in a codependent relationship in which
the cruel Danny puts Kim through a series of misogynistic
mind games and cruel role-playing. But it's when the couples
interact in other combinations that real fire ignites.
Basically
this film has six major scenes--each combination of the
four characters--punctuated by shorter sequences involving
outsiders, to-camera monologues and one scene with all four
of them. Noli films this in a colour-coded style that's
visually breathtaking; we often understand what's going
on simply by the way the scene is designed. The effect is
a bit theatrical, but the gnawing emotion gives it cinematic
punch. It helps that the performances are so strong, especially
with characters who are often so unlikeable. Seganti has
the most engaging role as a guy trying to do the right thing
and unsure what to do with his conflicting desires. Daniels
is so vile and controlling that we hate him from the start,
and even more so as his twisted plan becomes clearer. So
why anyone would be his friend or lover? Meanwhile, the
women have much more difficult roles as willing victims
to manipulation and violence (physical and emotional) from
themselves and others.
This
isn't an easy film to watch, and yet it's utterly gripping.
Noli is dissecting monogamy in a severe, Neil LaBute sort
of way, daring us to be offended or shocked. Confrontational
dialog fills the film--discussions, arguments and interrogations
in strong language that's designed to shock. Yes, it's a
bit too intense, knowingly outrageous and unnatural. But
beneath the murkiness it's also full of raw truth.
Rich
Cline
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