Frears
clearly likes to vary his styles, and he's hit upon perhaps
his most enjoyably commercial film yet with this 1930s London
theatre romp, based on a true story. It's a simple plot,
really, but a feisty tone and prickly characters bring it
energetically to life.
Laura
Henderson (Dench) isn't taking to widowhood very well; needlepoint
and charity just aren't her thing, so she buys the derelict
Windmill Theatre. Her manager Vivian Van Damm (Hoskins)
comes up with the idea of running all-day musical revues,
which briefly provides an advantage until everyone copies
them. So they turn to France for inspiration, putting on
a Moulin Rouge-style show with tableau nudity to get around
London's harsh censorship laws. And when the Germans start
dropping bombs, the Windmill is the only theatre that never
closes.
It's
a terrific slice of history, and Sherman spices it with
layers of character detail--back stories, surprises, barbed
interaction and hilariously sharp one-liners, impeccably
delivered by Dench. This is the kind of grand dame Oscar
bait she can play in her sleep, but she invests enough subtext
to keep Laura interesting, and to keep us on our toes. Her
chemistry with Hoskins has a terrifically antagonistic Tracy-Hepburn
vibe. They never say anything nice to each other, but their
affection is palpable. Of the supporting cast, Reilly is
the standout as a tableau girl plucked from obscurity and
struggling with stardom. And Guest is great fun as the flustered
chief censor.
Without
much in the way of actual plotting, the filmmakers are free
to concentrate on atmosphere. The effects work is superb
(that opening shot of Piccadilly Circus is remarkable).
And the lively stage productions happily take up quite a
bit of screen time (Young commands the screen nicely in
these scenes). This gives Frears and Sherman the chance
to weave in pointed historical observations. Newsreel footage
of Hitler in Paris and the Blitz in England adds both realism
and post-7/7 relevance as we see Londoners refusing to succumb
to a climate of fear and repression. All of which lends
just a touch of meaning to a film that's otherwise pure
bliss.
After
the death of her husband Mrs Laura Henderson (Dench) is
a widow with an awful lot of money and nothing to do. Driving
through the West End of London, she spots a theatre up for
sale and sees this as the investment she as been waiting
for and the perfect opportunity to have some fun. Hiring
renowned theatre manager Vivian Van Damm (Hoskins), the
pair come up with the idea of the Windmill Theatre running
continuous revuedeville. When the other theatres follow
suit, the Windmill has to do something different to standout
again and Mrs Henderson has the perfect idea but it isn’t
quite what 1930s London is used to. A nude revue.
Combining
quirky humour with keeping the British end up during World
War II, can ‘Mrs. Henderson Presents’ become
another heart-warming tale that the British film industry
does so well?
Acclaimed
director Steven Frears brings together an excellent ensemble
cast to make a movie that successfully combines musical
theatre, comedy and drama and produces a film that you cannot
help but like. The combination set against the perils of
World War II, has everything that British audiences enjoy
and it could easily become a firm favourite.
At the
heart of the movie are the excellent performances from Judi
Dench and Bob Hoskins. As Mrs. Henderson, Dench creates
a loveable upper class widow with a new and free outlook
on life. Dench has a real passion for the character and
this is reflected in her performance, adding a sense of
fun to the role and coming into her own during the more
dramatic elements. Bob Hoskins has a similar passion. As
Vivian Van Damm we see a little more of him than we should
do, but this shouldn’t put you off his captivating
performance. As the Theatre manager with an eye for the
younger ladies, he becomes the heart of the Windmill and
the voice of reason against Mrs. Henderson’s flights
of fancy. It is their screen chemistry that drives the film,
as the two bounce off each other during their constant arguments
and disagreements on how the theatre should be run.
The
supporting cast is also extremely good. Kelly Reilly plays
Maureen, the lead nude of the troop who was found quite
accidentally by Van Damm. This could be another break out
role for the actress and one that will get her noticed by
Hollywood even more. Pop Idol winner Will Young makes his
motion picture debut as Bertie, the lead male vocal performer
at the Windmill. We already know that he can sing but he
is can also turn his skills to the thespian pursuits. He
definitely has a future in musical theatre.
‘Mrs.
Henderson Presents’ is a film that you can help but
enjoy. Capturing the time perfectly as the War took hold,
the power of theatrical entertainment at a time when it
was most needed. With exemplary performances and a story
that is both touching and funny, this is a fine example
of a British film that we should treasure.
Mrs
Henderson Presents Directed By:
Stephen Frears
Mrs Henderson Presents Written By:
Martin Sherman
Mrs Henderson Presents Cast:
Judi Dench, Bob Hoskins, Will Young, Kelly Reilly,
Thelma Barlow, Christopher Guest, Doraly Rosen, Samuel
Barnett,
Camille O'Sullivan, Matthew Hart, Anna Brewster, Natalia
Tena