It
has never been considered uncommon to go to the theater
to watch a series of scenes performed onstage, so it seems
that this should easily transfer onscreen as well, yet it
is hardly attempted. Nine Lives, an intriguing film which
made its mark at the Sundance Film Festival this past year,
is very theatrical in the sense that it is composed of nine
scenes from the lives of nine very different women. What
adds to the theatrical feel of the film is the fact that
each scene is done in an unbroken take, making a film out
of nine shots which are unedited.
Nine
Lives Begins with Sandra, a prison convict who is visited
by her daughter. Diana (Robin Wright Penn) is shopping in
the second segment when she runs into an old flame. This
is the most poignant and honest of all the segments, which
is unfortunate because it is over quickly and there are
seven more scenes to follow. Next is Holly, who has come
home to tell her step-father how he has hurt her. This is
definitely the most melodramatic of the series, never really
allowing the audience to know what is going on. Sonia, played
by Holly Hunter, is going to visit friends with her boyfriend
when he decides to share intimate details of their relationship.
Samantha is a young woman trapped between her two parents
who don’t talk to each other directly. Lorna (Amy
Brenneman) is attending her ex-husband’s wife’s
funeral with her parents, despite the fact that most don’t
feel it is appropriate for her to attend. Ruth (Sissy Spacek)
is flirting with the idea of adultery in a cheap hotel.
Camille struggles with her fears by snapping at her husband
and the nurse in a hospital before a surgery. Maggie (Glenn
Close) has a picnic with her daughter (Dakota Fanning) at
the grave of a loved one.
Not
all of these nine women are likable, but they all have a
common theme to one another. Each of them is significantly
tied to another person because of a relationship, and within
these short segments we are allowed a glimpse of this. It
is profoundly touching for all of its simplicity. Although
some of the characters are intertwined within each story,
this is not what makes this film so beautifully done. What
makes it truly good is not even the technical achievement
of creating a film with only nine shots. What makes this
film startling is the simple honest truth of the emotional
moments that these women experience in the short time we
are with them.
With
a simple and poignant score to backdrop the lives of these
women, Nine Lives flows wonderfully from one moment to the
next. Although I can’t say that I liked all of the
characters, or agreed with their actions, after their segment
was over, I felt that I had experienced them if only for
a short while. This is the true markings of a great script,
and a great director. A mark was made on me, but more importantly,
I was put into the shoes of nine people very different from
myself.