Osama
Movie Review:
Winner
of two awards at the 2003 Cannes Film Festival, this gripping
and powerful film tells a story from a deeply isolated place
and time: when the Taliban ruled Afghanistan. It's about
a woman and her 12-year-old daughter (Sahar and Golbahari)
moving through the streets of their desolated town trying
to find ways to feed themselves and the woman's mother (Refah).
The men in the family have all been killed in various wars,
and under Taliban rule a woman is persona non grata--unable
to travel on her own. So the mother convinces her daughter
to cut her hair and dress as a boy named Osama so they can
go to work in their village. But soon the Taliban come through
collecting boys for religious education, and "Osama"
is taken along, protected by her friend Espandi (Herati)
but always under the threat of discovery.
"I
wish God hadn't created women," the mother sighs in
the film's opening scenes, which document a female protest
that's brutally squashed by Taliban forces. Through this
film, writer-director Barmak takes us deep into his home
culture to experience the fear and tragedy firsthand. The
script and camerawork are clever and extremely accomplished,
giving us an intimate view of the characters and situations,
while disarmingly natural performances make it feel almost
like a documentary! This is a chilling examination of the
imprisonment of women under fanatical Muslim rule as they
are locked up in their burkhas, jail cells and harems. Not
to mention being deprived of education and even basic freedoms.
But more universally, this is a look at extremism gone mad,
and here we in the West can learn a thing or two about a
manipulative system that leads to deception and a rejection
of even the most basic human rights. If we think this doesn't
happen in our countries we are living in blind ignorance!
While the film is extremely involving and believable, it's
also a little too forcefully didactic; the story is often
horrific, emotional and somewhat preachy. Yet there's such
truth here that it can't be ignored.
Rich
Cline
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