The
Perfect Score Movie Review:
Back
in the 1980s, a certain movie writer and mogul revolutionized
comedies for a whole new generation with movies like “Sixteen
Candles”, “Weird Science”, “Ferris
Bueller’s Day Off” and “National Lampoon’s
Vacation”. His name was John Hughes and he became
one of the most successful feature film comedy writers of
all time. His films are loved today and it truly is amazing
how much of the Hughes flavor is within the new comedy,
“The Perfect Score”.
Like
the classic Hughes film, “The Breakfast Club”
we are introduced to the different sides of the teenage
personality. The diverse range of high-school seniors which
include Kyle (Chris Evans), Anna (Erika Christensen), Francesca
(Scarlett Johansson), Matt (Bryan Greenberg), Roy (Leonardo
Nam) and Desmond (Darius Miles) concoct a scheme to steal
the answers for their SAT placement exams. Each has been
wronged by the test and they decide their futures are in
jeopardy if drastic measures aren’t taken. How can
a number justify if you go to Harvard or community college?
The
film has a simple plot but it’s the characters and
their interactions that made me think of so many of those
classic Hughes films. Like “The Breakfast Club”
that really had a basic plot of 5 diverse teenagers are
forced to spend a day of detention together, “Score”
looks past the simple plot and more on what makes each teen
tick. It is that simplicity and belief in the characters
that made those films classic. The same is true here. I
truly believe that this film fits that undeniable mold.
And trust me, that isn’t a bad thing.
Housed
within each of these characters we see a side of the teenage
mind and their rebellious struggle we have been watching
for decades on screen. We all cheered for “Ferris
Bueller” or “Clark Griswold” as they bent
the rules to accomplish their goals. And the same is here
as we find that we want these kids to succeed.
I loved
the spirit and sensibility that these characters had. I
also loved how they connected with each other.
I also
really liked the performance from Chris Evans who really
felt like a vintage John Hughes character. I also loved
the humor from Leonardo Nam, who plays stoner Roy. Nam’s
humor and craziness as Roy was utterly hysterical. I loved
that character even if he did partially remind me of a Kevin
Smith creation.
The
only real thing missing from this movie was probably an
arch-nemesis. There was always a stuffy or strict older
person who wanted to mess up the plans of the rebellious
teens. In “Breakfast Club” you had Paul Gleason’s
Principal Vernon and in “Ferris Bueller” you
had Jeffrey Jones’s classic evil Principal Ed Rooney.
The film really needed that to make the heist more insane
and delightful. I almost thought that was going to happen
when I saw that Francesca’s dad was Fulvio Cecere
of TV’s new series “Tarzan”. Cecere could
have been a perfect villain. This whole angle could have
also fleshed Francesca even more. It is too bad that wasn’t
explored further.
All
in all, “The Perfect Score” is a surprise and
I think people who enjoyed some of the classic Hughes teen
comedies like “Ferris Bueller”, “Weird
Science” and “The Breakfast Club” will
revel at the memories housed in this film.
If Hughes
directed a “heist” comedy this is exactly what
it would have been like.
(3.5 out of 5)
So Says the Soothsayer.
Dean Kish
The
SAT exam is almost what every high school senior must master
with the intentions of continuing their education. In The
Perfect Score, the
frustrations and significance of the SAT, also known as
"Suck Ass Test," revolve around six seniors that
each need to pass the exam for their own reasons or intentions.
Kyle (Chris Evans) has dreams of attending an Ivy League
school for architecture, but his SAT scores are keeping
his application in limbo. Matty (Bryan Greenberg) needs
to pass the test so he can attend the University of Maryland
and be reunited with his girlfriend. Desmond (Darius Miles)
is a phenom basketball player that needs to pass the test
so he can attend St. John’s
University as well as please his mom. Anna (Traffic’s
Erika Christensen) has the second highest grade point average
in her senior class, but can not conquer the SAT.
Kyle and Matt eventually come up with a plan to steal the
answers of the SAT from a company that designs and implements
the test. The key to their
plan relies in the hands of the outspoken Francesca (Lost
in Translation’s Scarlett Johansson), who has access
to the building, due to her father being the
owner. A stoner Roy (Leonardo Nam) joins the crew for comic
relief and as the master plan is implemented, each student
learns more about themselves than first realized.
The
Perfect Score is a typical teen-comedy that has a few chuckles,
but comes nowhere close to being amusing. The whole concept
of the six students stealing the scores becomes way too
easy for the characters, such as the
building where the test is designed just happens to be in
the same city. The film tries to take many turns to become
stressful, but none of the characters are so likable that
audiences’ will be routing for them to actually commit
a crime.
Director
Brian Robbins is no stranger to films of this genre, he
previously directed the somewhat enjoyable Varsity Blues,
but The Perfect Score
strives to be a blend of the current character driven heist
films (The Italian Job, Confidence) as well as a teen comedy.
The collaboration by Robbins never
really gels, and the film’s story and jokes become
more tiresome than actually enjoyable. There are also two
incidents in the film where the top of a boom microphone
can be seen, which is always a sign of lazy editing and
production values for a film.
Mark
Schwahan and Marc Hyman & Jon Zack wrote the film .
Being full of horrendous dialogue and flat characters, the
outcome of the film comes nowhere near surprising or fresh.
The concept is something that could have been witty, perhaps
even a little darker, but the jokes are nearly slapstick
intended and the obstacles for the characters are just too
easily dealt with. Like the character of Roy, who is a stoner
and narrator of the story that is the same Dazed and Confused
wanna-be character that audiences have seem time and time
again. The writers also try to add tiny tidbits to give
each of the characters parallels and depth, such as the
mother backstories for Roy and Desmond, which
rather falters than intrigues.
Scarlett
Johansson is a beautiful and talented young actress that
took this role as Francesca probably as break away from
her recently aggressive work ( Lost in Translation and Girl
with A Pearl Earring). Johansson is spunky as the anarchy
driven student that also has issues with her womanizing
father. With her bold eyes and seductive lips, Johansson
is at times the only watchable aspect of The Perfect Score.
Erika Christensen, who was so brilliant as Michael Douglas’
drug-addicted daughter in Traffic, is a bright presence
as the intelligent Anna, but does not have much to work
with her character. Chris Evans and Bryan Greenberg are
pure eye candy as the two high school buddies, Kyle and
Matty, who come up with the perfect plan. The NBA’s
Darius Miles makes his film debut as the basketball star
Desmond Rhodes. Miles’ acting inexperience
is very obvious as he continuously struggles with the delivery
of his lines. Lastly, as Roy, Leonardo Nam is over the top
and annoying in a role that has
been seen time and time again.
The
Perfect Score may interest a few high school students or
anyone that has had fits with the SAT, which is as difficult
as this film depicts.
However, the overall production is poor and stale, with
nothing fresh to offer.
Grade: D+
Joseph
C. Tucker
This
"Breakfast Club meets Mission Impossible" caper
has a strong cast and an intriguing premise, both of which
are lost in weak writing and direction. It's not as if we
expect much from director Robbins (Hard Ball, Varsity Blues),
but these up-and-coming young actors should've spotted this
dud script from a mile off.
The
plot centres on mismatched students united by one thing:
their desperation to get good marks on the dreaded SAT exam.
We have the smart guy (Not Another Teen Movie's Evans),
the good-time boy (One Tree Hill's Greenberg), the class
brain (Swimfan's Christensen), the rebellious rich girl
(shooting-star Johansson), the promising jock (Van Wilder's
Miles) and the stoner geek (Nobody's Perfect's Nam). Each
needs a high score to get into their chosen university,
so they join together to raid the SAT offices and get the
test answers. Conveniently, the offices are right in their
hometown!
Exams
like the SAT raise questions about racial and economic justice,
as well as the idea that a single test can make or break
a young person's life. But this film only throws those concerns
around briefly before getting into the wacky business of
mixing up high school social groups and trying to sneak
off with the answers. The main problem is that the film
is so toothless that we know it will never even remotely
deal with the issues it raises. So when it even cops out
on its own plot in the end, we're not remotely surprised.
Fortunately,
the cast is watchable. Even when delivering trite dialog,
Johansson and Christensen command the screen, adding just
a bit of subtext to their characters. And the guys keep
up with them adequately; although side characters like Lillard's
goofy big brother and a trio of pushy mothers (Ferrell,
Quinn and Boyd) are a bit overdone. The main problem is
Robbins' refusal to treat any theme with any depth at all--even
the two romantic subplots are superficial. So in the end
it's just another forgettable teen caper movie.
Rich
Cline
The
SATs are the most important examination in any young American’s
life. This standardised test will decide how the rest of
your life will turn out. Whether it be getting into the
college of your dreams, heading to the NBA, living up to
your parents expectations or just getting into the same
college as your girlfriend, your SAT score will determine
if you will ever attain these goals. Kyle (Evans), Matty
(Greenberg), Francesca (Johansson), Anna (Christensen),
Desmond (Miles) and Roy (Nam) are not going to take any
chances on their dreams however as they plan break into
the Princeton Testing Centre and steal the answers.
If you
cross the Breakfast Club with Mission Impossible and you
get what the filmmakers were trying to achieve with The
Perfect Score. However they came up quite a few marks short.
The
idea of a group of mismatched high school students coming
together to plan an elaborate scheme to steal exam papers
is hardly original but this movie has one saving grace,
the actors. In Scarlett Johansson and Erika Christensen
you have two of the best young actresses working in the
business at the moment. While neither of their roles are
hardly the most challenging they will ever have, they bring
that little bit extra to the characters making the movie
all that more watchable.
The
rest of the actors are quite watchable as well. Leonardo
Nam is good as the narrator and comic relief as druggie,
nerd Roy. He has most of the comedic moments in the movie
and turns into quite a likeable character. Chris Evans and
Bryan Greenberg as Kyle and Matty bring nothing new to the
genre as they just look like clones of every other American
teen star but they are watchable all the same. Darius Miles
is good as Desmond but it would be nice to see an Africa-American
character wanting to get on academically instead of just
via sports. There is also a funny cameo role for Matthew
Lillard as Kyle waster bother Larry.
This
is an MTV Movies production and you can really tell. The
character introductions feel more like an episode of “The
Real World” or “Cribs” and the fast cuts
and constant use of music are just there to cater for the
key demographic the movie is aimed at. This isn’t
a bad thing but it takes away any original look the movie
might have been trying to achieve.
The
Perfect Score is an average teen comedy adventure that only
really stands out due to presence of Erika Christensen and
Scarlett Johansson. Quite enjoyable in places but not enough
to be at all memorable after the credits roll, The Perfect
Score falls well short of that accolade.
Star
Rating = * *
Jamie
Kelwick
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