Yes,
it's yet another lavish adaptation of Jane Austen's classic
novel, but at least these filmmakers make it properly cinematic,
finely focussing the story while keeping it gritty and realistic.
Viewers who compare it to another beloved version might
be disappointed, but this is a superb film all its own.
Mrs Bennet (Blethyn) is at wit's end worrying over the future of her five eligible daughters. As it's 18th century England, marrying is especially important for girls from less-than-wealthy families. Mr Bennet (Sutherland), meanwhile, is at wit's end after living with six women for too long. The story's told through the eyes of second daughter Elizabeth (Knightley), who squares off against the sullen and apparently cruel, but very rich, Darcy (MacFadyen), and finds love when she least expects it.
The plot and characters are so familiar that it's a real trick to put it on screen in an original way, but cast and crew find new life in it. Wright films with prowling camerawork that explores the environment and keeps everything squarely in Elizabeth's perspective, giving the story a more personal impact. The superior design and costumes avoid flowery excesses in lieu of simple authenticity. And performances are excellent; Knightley is a revelation, giving her first multi-layered star performance, holding every scene with a mixture of wit and emotion, and developing a terrific low-burning chemistry with MacFadyen. Blethyn is a splendid bundle of nerves, Sutherland is wonderfully soulful, and Hollander shines in the comic-relief role as Collins. Dench even turns up to show off her expertly towering imperiousness.
Meanwhile, the script makes the most of
Austen's iconic narrative and snappy dialog, leaving side
characters on the side for a change and sharply highlighting
class distinctions and desperate social situations. The
Bennet girls' post-modern spirit may feel rather far ahead
of their time, but this draws us in effectively, and the
film's only false note is in the overwrought romantic climax,
although even that is nicely internalised. So the nicest
surprise is that the film is so delightfully entertaining
that it sometimes makes us forget every other adaptation
we've seen.
Rich Cline
When
Mr Bingley (Woods) moves into the county’s stately
home, Mrs Bennet (Blethyn) sees this as her chance to introduce
her to one of her five daughters. Mr Bingley instantly takes
a shine to her eldest daughter Jane (Pike) but it is Mr
Bingley’s friend Mr Darcy (MacFadyen) that so intrigues
her sister Elizabeth (Knightley). When she actually speaks
to him however, she finds that Mr Darcy might not actually
be the man she hopes he was but there is more to this mystery,
quick man than she might think.
Jane
Austin’s classic novel has been adapted for the big
and small screen many times and in different ways but can
this latest version of ‘Pride & Prejudice’
standout?
The
1995 BBC mini series is still considered the hallmark version
of the novel so any adaptation would be compared to the
Colin Firth/Jennifer Ehle starrer making it a very hard
act to follow. Also any big screen adaptation has to do
the novel justice with a two-hour time frame. The problem
is that this seems like a bit hatchet job as the barebones
of the story only make it to the screen.
Fans
of the novel and the mini series will be disappointed with
this fact as the classic is streamlined at the determent
of most of the supporting characters. The film concentrates
solely on the Elizabeth and Mr Darcy on and off love story
but while this might be the heartbeat of the film there
is much more to the novel than just there story.
While
the story might not be as complete as some may have hoped,
the look and the performances of the piece are very suited
to the novel and the period. The look of the movie is superb
and captures the era extremely authentically. The film is
exquisitely shot, with locations and Stately homes bringing
the story to life.
Both
Keira Knightley and Matthew MacFadyen are extremely good
as Elizabeth and Mr. Darcy. Keira Knightley finally gets
the chance to show that her tag as the next big thing is
justified with a compelling and spirited performance. Her
version of Elizabeth is as strong a heroine as ever and
she commands the screen every time she graces it. Matthew
MacFadyen has some very large shoes to fill as Mr Darcy
but he does an impressive job playing the dark and brooding
literary character. He has the look and the persona to make
his own mark on the role and he also has the dramatic skill
to pull the role off. The chemistry between the two leads
is also spot on, creating that spark that drew people into
the story in the first place.
A very
accomplished supporting cast has also been assembled to
support the two leads. Brenda Blethyn almost steals the
show as Mrs. Bennet, the mother who is obsessed with getting
her daughters married off. Tom Hollander plays Mr. Collins
with real aplomb. Rosamund Pike gets a role that might actually
kick-start her career and get her past the Bond girl curse.
Add to this some scene stealing performances from Judi Dench
and Donald Sutherland and you have a fantastic cast.
This
version of ‘Pride & Prejudice’ might not
be the full story that fans might be longing for but the
positives far outweigh the negatives, making this a very
enjoyable version of the Jane Austin classic. While the
pomp and circumstance might be a bit too much for some,
this adaptation is an enjoyable two hours for fans and everyone
of the fairer sex who is a true romantic at heart.
Pride & PrejudiceCast:
Keira Knightley, Matthew MacFadyen, Brenda Blethyn, Donald Sutherland,
Rosamund Pike, Jena Malone, Tom Hollander, Judi Dench,
Simon Woods, Rupert Friend, Kelly Reilly, Claudie Blakley