Red
Dragon Movie Review:
In the
fourth morsel, Hannibal shows signs of age.
Red
Dragon is based on the Thomas Harris novel of the
same name. In the 1980s, emerging director Michael Mann
directed an adaptation of this novel which was later renamed
Manhunter. Manhunter was a bold
film for its day and eventually found a cult following.
Now in 2002, we are brought back to the novel that spawned
the cult film. This time we have the fan favorite version
of Hannibal, played by Anthony Hopkins, and the author of
the novel who is more pleased with this more-faithful version.
The
story behind Red Dragon is the return to the
profiling game by retired FBI agent Will Graham (Edward
Norton). Graham is brought out of retirement by his friend
Jack Crawford (Harvey Keitel) to track down a psychotic
killer dubbed the Tooth Fairy. Graham was responsible for
bringing the notorious Dr. Hannibal Lecter (Anthony Hopkins)
to justice that event almost cost Graham his life. Now years
later, Graham has to confront the man who almost killed
him in hopes that the evil doctor can unlock the mindset
of the Tooth Fairy.
Red
Dragon works because of what has come before it. The
opening sequence where you have Hannibal having a group
of dignitaries over for dinner is complimentary to the final
scenes of last years Hannibal. The film
begins with homage to another chapter and ends with a delightful
little throw to the Silence of the Lambs. This
film is aware of the others around it. In some ways that
is comforting.
Once
again Hopkins is grand as Lecter but I found that Ralph
Fiennes performance as the demented Tooth Fairy
to be the most unforgettable of the film. This version of
novel really made me see a lot more into the mind-set of
the Tooth Fairy. I did however like William
Petersons Will Graham from Manhunter much
better than Edward Norton.
That
was my problem with Red Dragon was that I was
always comparing it to the films that had come before. Since
it was the fourth film in the franchise and a remake it
was so hard not to. How can one not? I liked the other films
before this one a lot better because each one was paving
new territory and telling a fresh story. This film was doing
neither.
Placing
comparisons aside, I liked Brett Ratners interpretation
of the events. I loved the films opening and closing
scenes which for me were by far the best in the film. I
did find that there were chunks in the middle of the movie
that were long and drawn out. I also found it really incredible
that Ratner chose Danny Elfman to score the film. I loved
his score throughout. I also adored Ratners casting
choices especially Emily Watson and Fiennes.
I think
we are going to see some interesting projects from Ratner
in the future. Ratner is a former music video director who
seems to have a grip on how to put a movie together. Other
directors who have come from music videos tend to make movies
like music videos where there is a lot of fluidity and flashy
cutting. Their visions tend to be all flash and little or
no substance.
Red
Dragon will be amazing to people who havent
seen Manhunter or if it is their first Hannibal
movie. To some of us who have been there since the beginning
it may be hard to watch the movie without comparing it.
(3.5 of 5)
So Says the Soothsayer.
Dean
Kish
It has
often been said that things in life have a way of coming
full circle; I cite the change of seasons, the cycle of
life, and relationships as an example. There is a starting
point, and end, and a new beginning. Such is the case of
the film "Red Dragon" by author Thomas Harris.
The story began its life as a book, was made into a film
named "Manhunter", and is now reborn in grand
fashion as a star-studded blockbuster.
For
those of you who were not aware, "Red Dragon"
was the book the introduced the word to Hannibal Lector,
and set the stage for his exploits in the books and film
"The Silence of The Lambs", and "Hannibal".
Not only were the films and books hugely successful, but
also they made the character of Hannibal Lecter famous and
forever etched Sir Anthony Hopkins image with the doctor.
The solid Box office and book sales of "Hannibal",
despite mixed reviews, showed that despite an 11year layoff,
audiences wanted more tales of the mad doctor. Unable to
get momentum for a sequel without a new book, producer Dino
DeLorentis looked to the past and decided to return Lecter
to the screen in the form of a prequel by expanding upon
his character in a prequel to his other tales.
Dragon
tells the story of how socialite psychologist Lecter was
caught by FBI agent Will Graham (Edward Norton) as he worked
with Graham to solve the very crimes he had committed. Both
Graham and Lector are injured in the confrontation, and
soon face many hardships ahead of them. For Lector it is
his trail and imprisonment, and for Graham, it is a painful
and long stay in the hospital and a very near brush with
death. The years pass, and Graham and his wife and son live
a peaceful life in Florida having left the FBI behind years
ago for sunsets and boat engine work. Two brutal murders
later brings FBI Chief Jack Crawford (Harvey Keitel) to
Graham's door in an effort to beg his former master profiler
to return to work, on a temporary basis to shed some light
on the case. Although highly reluctant to return to his
work, Graham agrees to help for a little while in an effort
to save lives. Graham is able to discover some clues as
to the nature of the killer (dubbed the Tooth Fairy by the
tabloids due to the odd bite marks on his victims), but
is unable to gain the insights needed to solve the case.
In an effort to beet the lunar cycle that the killer seems
to run on, Graham turns to the incarcerated Lector for clues.
Lector is a master at playing games and answering questions
in riddles, as Clarice Starling Would come to learn in the
next two books. Lecter respects Graham, but has animosity
to the man who put him behind bars. For every step forward
there are three steps back, and of course, Lecter has a
price for everything. Graham is surrounded by his fear of
Lecter tempered by his desire to save lives and learn from
the Doctor, as clearly, Lecter is the best option to crack
the case. Complicating the investigation is a sleazy tabloid
reporter named Freddy Lounds (Philip Seymour Hoffman), who
has a past history with Graham, and who is hampering the
investigation with his unethical storylines and attempts
at news surrounding the case.
What
sets the story apart from other crime dramas is the killer
himself, Francis Dolarhyde (Ralph Finnes). He is a man who
is clearly a dangerous individual, but amidst the horror,
shows a pain and suffering that is brought on by conditions
ranging from years of abuse to a very low self-image. Dolarhyde
is trying to transform himself and thinks that by transforming
(murdering) the others he will accomplish his goal and gain
the respect and power he craves. The theme of transformation
is common in the works of Harris as Buffalo Bill, from "The
Silence of the Lambs" likened his change to be that
of butterfly from a cocoon, showing characters that are
in a constant state of change. Dolarhyde is such a character
as he develops a relationship with a blind lady named Reba
(Emily Watson) who does not see the monster he believes
he is, and causes him to question his ways even as he descends
further into madness. It is a nice change from the standard
stock villains to see a character with a bit of depth to
him, especially in a film that would have been all to easy
to give all of the attention to Lecter and Graham. Eventually
things come to a head in the picture as the various characters
find their destinies intertwined and on a collision course
where the final transformations will take place.
"Red
Dragon" is a well-written and very well acted film.
Brett Rattner who directed the "Rush Hour" films
has remained true to the novel and the characters and the
script by Oscar-winner Ted Tally(who won for his draft of
"The Silence of The Lambs"), sets a steady tone
without being plodding. Hopkins acts as if he is slipping
on a pair of comfy slippers, as his Lecter is haunting yet
mesmerizing as you find yourself unable to look away from
him. He blends humor and horror without ever ceasing to
be a blue-blooded aristocrat, making him one of the most
memorable villains ever created. Norton also shins as Graham
and establishes once again that he is one of the most gifted
young actors in film today as his portrayal of Graham's
determination despite his personal fears and misgivings
was amazing. The easygoing intensity he brought to the character
was never forced yet seemed appropriate for every situation
he was in. The film was largely accurate to the book and
easily blended in the expanded Lecter scenes without sacrificing
any of the stories original content. If I had to find a
fault with the film it would be that the final part of the
film had a few too many Hollywood clichés for me,
and that the film slowed a bit ¾ of the way in from
a pacing that had been appropriate. It was almost as if
the creators knew that Lecter was the drawing card and wanted
to insert a few more scenes of him and Graham. That being
said, the film is solid and well worth seeing. The final
lines of the film bring this trilogy full circle and start
the cycle of Lecter anew, a job well done by all.
4.5 stars out of 5
Gareth
Von Kallenbach
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