The
Republic of Love Movie Review:
Director
Deepa Mehta of “Bollywood, Hollywood” fame sculpts
a new film about love, how it affects us and how it can
find us.
Based
on the much loved novel “The Republic of Love”
by “The Stone Diaries” author Carol Shields,
the film stars Bruce Greenwood (“Thirteen Days”,
“Below” and “Exotica”) as Tom Avery,
a lonely late-night radio station DJ who has been unlucky
in love. Living in Tom’s building is Fay (Emilia Fox),
a museum researcher and folklorist whose current passion
is the exploration of the “mermaid” myth. Both
have one thing in common, they are disenchanted by love.
One
day, Tom and Fay meet and an instant connection is felt
as the factors of “love at first sight” envelope
the couple. Before Tom can get any details or even an email
address, Fay leaves for France on a research trip. Tom is
beside himself so he hunts down some way to contact the
woman he can’t forget.
Eventually
he gets a letter through and their bond intensifies. A whirlwind
engulfs the two star-crossed lovers as a lifelong bond is
born. Unbeknownst to Fay, Tom holds a secret and an impending
tragedy is coming. Can these lovers overcome these events
and still forage ahead together? Can their love overcome?
“The
Republic of Love” is a celebration of love and the
love story genre. For a cynic like me it is hard to grasp
the concept of a straight forward love story anymore. I
need to know the passion and details of the people involved
before I can grasp the idea of love.
Mehta’s
pacing is also something that needs to be addressed. From
the couple’s first meeting to there eventual love
scene it is very quick and we really never get a chance
to see any chemistry between the couple. Greenwood’s
moody eyes and Fox’s pouty lips are staples of their
attraction but there seems to be no more than that.
That
is the case because the film seems to rushes off to mix
the couple up before they are an actual couple. Greenwood’s
characters hang-ups and love addiction are discussed then
passed. When the film finally concludes it never fully deals
with his imperfections. The finale is very one-sided and
that is a shame since the first half was so brilliant in
laying out these people and who they are.
I am
a huge supporter of Bruce Greenwood in anything he does.
I really enjoyed him in his quirky television roles in cult
series like “Sleepwalkers” with Naomi Watts
or the UPN head-twister “Nowhere Man”. Probably
his two most underrated performances were as President John
F. Kennedy in “Thirteen Days” and as a sub-mariner
in the cult film, “Below”. In this film, Greenwood
is strong and poignant as Tom but the film’s third
act really takes away everything Greenwood poured into Tom.
That is a real shame that the film doesn’t deal with
Tom’s hang-ups.
I also
really enjoyed seeing a performance from relative new comer
Emilia Fox who stars opposite her acclaimed actor father
Edward Fox (“Gandhi” and “A Passage to
India”) in this film. She reminds me of Mrs. David
Mamet, Emily Proctor but has the compassion of an early
Rachel Weisz or Kate Beckinsale. I really enjoyed her humility
and wide eyed innocence as Fay.
The
film’s rich lush layers of color and texture made
for some interesting apartment scenery. Some of the shots
set up by Deepa Mehtra echo the world around the characters
really well and make for some interesting foreshadowing
and atmosphere.
I was
just really disappointed by the film’s third act.
I really wanted to see some of these people have complex
emotions and deal with the problems brewing within the couple
away from the world around them. These people hardly know
each other and we hardly know them. I just wanted more depth.
(3 out of 5)
So Says the Soothsayer.
Dean Kish
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