Riding
Giants Movie Review:
If there
was one movie I NEEDED to see at this year’s Edinburgh
Film Festival then it was this, director Stacey Peralta’s
sophomore follow up to Dogtown and Z Boyz. That movie followed
the origins of the skateboarding craze that grew out of
its surfing origins back in the 60’s, with Riding
Giants he goes back and has a look at that culture.
And
what a beautiful exhilarating look it is too, I’ve
watched surfing movies before, generally on the small screen,
but seeing such amazing surf up on the big screen really
does amplify the scale, awe and achievement that these pioneers
had in breaking boundaries with their sport.
Peralta
starts out with buzzing us through 1,000 years of surfing
history in two minutes, which could be cheesy, but no it
works well. Especially including the revelation that surfing
was banned, by the Calvinists, in the late 1800’s
because of the lack of clothes being worn on the beach!
He then takes us through to the 50’s and 60’s
focusing on the big wave revival picking out key characters
who broke new waves, such as the enigmatic, and still fiery,
Greg Noll who does a lot of the on screen talking.
We then
move onto the Californian scene in the early 90’s
and meet Jeff Clark who rode some of the most dangerous
surfing waves alone for well over a decade. Finally we meet
Laird Hamilton, who created another paradigm shift in surfing
when he reduced the size of surfboards and was towed out
to previously unreachable and UNRIDABLE waves of nearly
SIXTY FEET high and successfully rode them - the footage
shown on this is just awe inspiring!
A lot
of the techniques that Peralta used so successfully in Dogtown
and Z Boys such as zooming in and out of still photographs
to create almost moving pictures is on display here, and
although stylistically this is pretty much Dogtown and Z
Boyz go surfing, with footage as gorgeous as this it’s
not much of a problem.
There
are some problems here that Dogtown didn’t have, such
as the obvious commercial link up with Quicksilver. At the
start of the movie, Peralta revels in the counter-culture
that surrounded surfing in the 50’s and 60’s,
but when we get to the 90’s NO mention is made of
the big business element of the sport. Laird Hamilton is
surely a millionaire, but we never find this out. If Peralta
had addressed this, nay even mentioned this then Riding
Giants could easily be one of the greatest surfing movies
ever, right up alongside Big Wednesday.
Gary
Gray
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