Shark
Tale Movie Review:
Where
has all the heart and humor gone?
In the
latest computer-animated extravaganza from DreamWorks Pictures,
Will Smith lends his voice to a fish named Oscar, who happens
to be a fast-talking fish who dreams of bigger and brighter
things. When Oscar’s mouth gets him into trouble and
he ends up being sent up river by the “shark-mob”,
he starts to learn his lesson until fate intervenes.
Oscar
watches as an anchor from the surface above crashes down
killing one of the “shark” mobsters. Then the
whole reef starts to celebrate dubbing Oscar a “shark
killer”. Oscar doesn’t allow his fellow fish
to think anything more than that and it eventually builds
him a fortune.
For
Oscar to maintain his mirage of fame, he must befriend a
rather reluctant shark named Lenny. Together Oscar and Lenny
maintain Oscar’s new infamy but it will eventually
come at a price.
As I
sat back and watched all the beautiful colors of the gorgeous
animation and tried to recognize some celebrity voices,
I couldn’t help but notice that there was no soul
in this animated piece. The film relied heavily on the casting
of the voices, goofy advertisements with fishy names, pop
culture references and every mobster pun or joke you can
think of. It just felt, pardon the pun, shallow.
I am
not sure if anyone out there will remember this reference
but in a lot of ways the film reminded a lot of the short-lived
1992 TV series, “Fish Police”. The series followed
a gritty detective named Gil (voiced by the late John Ritter)
who in the fourth episode of the series investigates a fishy
version of the mob. “Shark Tale” felt like they
took the whole concept and feel of “Fish Police”
injected it full of “pop-culture” LSD, CGI animation
and force fed it “Godfather” tuna. Because I
remembered this little misunderstood TV series kind of made
me dislike the film more than I probably should have.
I liked
a lot of the film’s casting but the jokes, the script
and the rudimentary situations really made for a waste of
all the talent involved. Are kids going to really know that
some of the stars of the “Sopranos” or the infamous
“Godfather” films did some of the fish voices?
Furthermore are they recognizable? That was another thing
that really bugged me that about 80% of the all-star cast
are unrecognizable as the voices they provide. They could
have been anybody.
To top
it all off, did we really need a Christina Aguilera fish?
(2 out of 5)
So Says the Soothsayer.
Dean Kish
If you
think this looks like a Finding Nemo knock-off, don't worry:
It's simply a silly bit of undersea fluff, much more like
Shrek in that sense, jammed to the gills with pop culture
references and fishy puns. Thoroughly entertaining, but
no subtext whatsoever.
Oscar
(Smith) is in trouble with a loan shark--actually a loan
puffer fish--named Sykes (Scorsese). Then when he's the
only fish present when a shark is accidentally killed, he
becomes Oscar the Shark Slayer, and with Sykes as his agent
is propelled to stardom in his coral-reef city. This leaves
his love-struck coworker (Zellweger) worrying that she'll
lose out to a gold-digging bombshell (Jolie). But the dead
shark was the son of mafioso Don Lino (De Niro), whose other
son (Black) isn't living up to expectations. Now Lino wants
revenge.
The
animation is extremely lively, constantly moving to the
rhythms of the underwater urban landscape. And the fish
themselves are cleverly drawn to resemble the actors who
give them voices--although the anthropomorphism is out of
control as the fish adopt a bit too much human physicality.
Still, the strong vocal cast make the characters spring
to life, full of attitude and hilariously bouncing off each
other (Scorsese is especially wonderful). The witty dialog
and sight gags keep us paying close attention, and ensure
that adults won't be bored while the colourful action keeps
the kids enthralled.
But
it's all extremely simplistic; there are mild attempts at
emotion and moral lessons about loyalty and integrity, but
those things are just part of the formula really. The film
is just lively fun, densely jammed with comedy titbits that
keep us chuckling and puns that keep us groaning. Racial
stereotypes are dangerously close to the surface but just
avoid being offensive--the sharks are a death-obsessed Italian-Jewish
mob, Sykes' henchmen (Marley and Doug) are goofy Rasta jellyfish.
But it's so innocuous that virtually no one could ever get
angry about it. In fact, the whole film could've used sharper
teeth, frankly.
Rich
Cline
Oscar
(Smith) is a fish with big dreams of making it to the top
of the reef. In reality he worked at the local Whale Wash
and was just a small fry in a very big ocean. When his get
rich schemes get him in 5000 clams worth of debt with his
boss Sykes (Scorsese), Oscar is taken out into the ocean
to be fed to the sharks. Lenny (Black) is a shark that lacks
the killer instinct, much to the regret of his father Don
Lino (De Niro), the leader of the local Shark Mafia. But
when he sends Lenny out to the ocean to make his first kill
with his brother, Frankie is accidentally killed while trying
to eat his victim, who just happens to be Oscar. Sykes’s
two henchmen witness the event on their way back to the
reef and instantly hail Oscar as a hero and a shark slayer.
Seeing instant fame and fortune, Oscar doesn’t disagree
with them and starts living the life, that is until Don
Lino finds out who killed his son.
After
the huge success of Shrek and its sequel, DreamWorks hope
to start another franchise with Shark Tale but does this
latest animated spectacular have the bite to cause another
big splash at the box office?
The
simple answer is no. Shark Tale just doesn’t have
the magical quality that you associate with the big Green
Ogre and his friends, making it stinks of a wasted opportunity.
The main problem is the characters. None of them are realised
to their full potential and are merely fish caricatures
of the movie stars that are providing their voices. Only
Jack Black, as reluctant shark Lenny, gives a vocal performance
that doesn’t actually sound like his own, everyday
voice. This rest are just themselves, in fish form, acting
as you’d expect them to act.
Robert
De Niro and Martin Scorsese parody some of their greatest
collaborations but the jokes will fly over the head of the
target audience (the kids) and the adults will just groan
at two greats of cinema making a mockery of some of their
best work. Will Smith is basically the Fresh Prince of the
Reef but twice as annoying as his small screen creation
ever was. Renée Zellweger equates herself better
as Angie, as does Angelina Jolie as the gold-digger Lola.
The stars of the show are Doug E. Doug and Ziggy Marley
as Rastafarian jellyfish Bernie and Ernie. They provide
much of the comic relief and are probably the most realised
characters in the movie.
The
story isn’t the most complex either. This is a Mafia
movie that never shows Don Lino and his hoods doing anything
to show why they have their reputation. You couldn’t
really show the Sharks eating any of the main characters,
but the threat should have been there. Also the screenwriters
missed the opportunity of parodying the usual gangster activities
of racketeering, collecting protection money and even putting
a contract on someone.
While
the characters may not be the best creations, the animated
undersea world they inhabit is superb. This may not have
the realism of Finding Nemo but the reef is a stylised version
of New York, with its skyscrapers and recreation of Times
Square. The attention to detail is first rate and Shark
Tale showcases the advancing technological level of the
computer graphics used to produce these animated features.
With
a very slight story and characters that don’t really
stick in the memory, Shark Tale isn’t the best of
the big budget animated features to hit the silver screen.
While there is still much to enjoy here, you can’t
help but think this is a wasted opportunity. Shark Tale
just doesn’t have the bite to become an animated classic.
Star
Rating = * * * (For Kids) * * (For everyone else)
Jamie
Kelwick
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