Decent
movie, awful title -- apart from being bland and unmemorable
("What are you seeing this weekend?" "Something
New." "OK, sure, but which new movie?"),
it's unintentionally ironic. Very little is new in “Something
New,” a genial romance with the mismatched races twist.
But it's an inviting movie because it coasts patiently and
is willing to gently stay with its characters.
This
movie is an example of considerate new vision vs. the dregs
of old formula. First-time feature director Sanaa Hamri
pays close attention to her leading lady, Kenya (Sanaa Lathan),
allowing her to feel her way convincingly through a situation
we've all seen played out before. A successful black woman
who is about to be made partner at her accounting firm,
Kenya reveals herself to be fussy, uptight, and controlling
-- in other words, she needs major loosening up. What better
way to have that happen than through falling in love with
a person who's everything she's not?
The
movie's conventions -- chatty single girlfriends, the influence
of parents, and, of course, the racial concerns of Kenya's
community always looming over her -- remain conventions,
though Hamri's relative constraint in all these matters
is welcome and appreciated. No drums of hysteria are beat
here; we just quietly see Kenya's internal tug-of-war, which
is a tone more appropriate to the actions of today's culture
conscious citizens. Hamri also makes great use of color
as a reflection of Kenya's feelings. Conversations about
improving visual appeal (of one's self and one's surroundings)
parallel the main character's development.
“Something
New” therefore looks warm and inviting; unfortunately,
most of the moments it stages were refined decades ago,
and aren't otherwise updated in any significant way here
-- the appearance of a more practical alternative boyfriend,
the good-cop/bad-cop division of the parents, the 11th hour
realization and subsequent rush, etc. Even the white-boyfriend-in-a-black-community
idea surfaced as recently as last year's “Guess Who.”.
“Something
New” will have to make do with being another iteration,
albeit a confidently told and color-sensual one, of a familiar
story, just another rub in the constant massaging of the
viewing public who find comfort in such fare.