The
Deep End Movie Review:
In The
Deep End, an engrossing relationship drama is made more
tantalizing by
the film noir mystery that envelops it. You'll get caught
up in the film because you'll have a rooting interest: You
care about these people. Particularly Margaret Hall. The
hard-pressed but resourceful housewife at the center of
the tale is played with the utmost skill and intelligence
by Tilda Swinton, in one of the season's premiere performances.
Margaret Hall is in deep. She has just covered up a murder
she thinks her son
has committed. Now a stranger has appeared, trying to blackmail
her. Margaret and her family live along the shore of Lake
Tahoe, outside Reno, Nev. She cares for her three school-aged
children and her sickly father-in-law while her Navy husband
is at sea. Not only that, she has to cook a roast, take
her daughter to ballet lessons, try and get in touch with
her husband, who is on a boat in the middle of nowhere,
make sure her son gets his college applications submitted
on time, worry about the recently discovered fact that he
is gay and take out the
trash. She has no time for tragedy, no time for murder,
no time to raise money she doesn't have in the first place.
Her son needs to get to water polo practice.
She has no time for a living nightmare. But she's in it.
Powered by Tilda Swinton's performance, The Deep End does
what too few films even attempt -- it takes an ordinary
life and places it in an extraordinary situation just believable
enough to be terrifying. Swinton's Margaret is hardly a
superhero or a fashion model, just a mother trying to protect
what's hers. The day-to-day practicalities of her situation
give this film authenticity, and the fine touches that the
writing/ directing team of Scott McGehee and David Siegel
add give it extra boost. In a novel turn, only the audience
knows what really caused the death. And far from the classic
unruly punk, Margaret's son, Beau (Jonathan Tucker), is
a talented musician filled with good potential. You can
see why she wants to protect him.
Disrupting
her life is Alek (ER star Goran Visnjic in a nicely measured
performance). Alek and a partner have a tape that could
destroy Beau's life
and make him a murder suspect. But as Alek pressures Margaret,
he observes
the fullness of her life and sees it is worth protecting,
which he ends up
doing.
Nitpickers may find certain plot turns too convenient, but
since this is a
film about a real woman in an unreal situation, the plot
hardly has to be
rigid. Swinton -- who somehow looks ethereal and earthy
at the same time -- has been an undiscovered art house treasure
most of her career, but the way she carries this woman's
burden will open many eyes.
Engrossing, nerve-wracking and emotionally true, The Deep
End is sure to
be one of the year's best films.
The Critical Couch Potato
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