Thunderbirds
Movie Review:
After
a daring rescue on an oilrig, Jeff Tracy (Paxton) and the
International Rescue team return to their base on Tracy
Island. Little do they know that The Hood (Kingsley) has
placed a tracking device on Thunderbird 1 and followed them
back to their island paradise. From there he launches a
missile at Thunderbird 5, disabling it in orbit. Responding
to John Tracy’s distress call, Jeff, Virgil, Scott
and Gordon blast into space onboard Thunderbird 3, allowing
The Hood and his henchman to take over International Rescue’s
base of operations. What he doesn’t realise is that
he hasn’t got rid of all the Tracy’s from the
island, so it is up to the youngest of the family, Alan,
to save the day.
A live
action version of Thunderbirds has been talked about for
so many years but when it finally appears even International
Rescue can’t save it.
The
60s Supermarionation classic has everything you need to
produce a blockbuster of gigantic proportions. From vehicles
every child would love ride to characters everyone would
want to be, coupled together with endless possibilities
for disasters and rescue situations, Thunderbirds has the
lot but the filmmakers didn’t realise this. In their
infinite wisdom they decided to make a movie about kids
saving the day and forget about the key element of the series
altogether, that International Rescue rescues people.
Whether
it was budgetary reasons or scriptwriters that just didn’t
get the emphasis of the original show, most of the action
takes place on Tracy Island as Alan, Tintin and Fermat (Brain’s
son) try and foil The Hood’s plan to steal the Thunderbirds
to help him rob every major bank in the world. This relegates
the main characters from the series Scott, Virgil, Gordon
and John to very minor roles to the determent of the entire
film. This is not what Thunderbirds is about. The fans that
have grown up with the show expect to see an impending disaster
averted by the courageous heroes of International Rescue
not some overly intelligent (aren’t they always) kids
running around Tracy Island evading some pantomime henchman.
Brady
Corbet, Soren Fulton and Vanessa Anne Hudgens (Alan, Fermat
and Tintin) are decent enough actors but their characters
just become more and more annoying as the film progresses.
Ben Kingsley tries his best with a very underwritten part
but his class does shine through as The Hood is never too
over the top. Bill Paxton just isn’t old enough or
dignified enough to be Jeff Tracy and the actors who play
Scott, Virgil, Gordon and John are on screen for so little
time they never get the chance to make any time of impact.
Anthony Edwards tries his best with Brains but doesn’t
quite pull it off.
The
movie does have some saving graces however. Sophia Myles
and Ron Cook are exceptional as Lady Penelope and Parker.
They capture the essence of the characters superbly and
provide the best moments of the film. While FAB1 might not
be a Rolls Royce anymore (it’s a Ford but this wasn’t
the production’s fault) it is still an iconic car,
even if it is pink. The look of the movie is also where
the film excels. The design of the Thunderbirds is first
rate. The might have changed slightly but not too much to
annoy fans of the show. The production designers have also
created that futuristic 60s feel in the look of Tracy Island,
which really ties the show to its roots.
Thunderbirds
is a wasted opportunity. By forgoing the true essence of
the original show, the disasters and the resulting rescue,
the filmmakers has created their own catastrophe that no
one can rescue them from. Fans of the series will feel extremely
let down by the whole experience and even the sight of their
beloved Thunderbird vehicles on the big screen won’t
be enough to alleviate the sheer frustration you feel about
the script’s lack of imagination and complete absence
of the original show’s doctrine.
Everyone
wanted this to be FAB but in the end it is just BAD.
Star
Rating = * *
Jamie Kelwick
The
enduring 1960s TV series finally gets the live-action treatment
in this energetic and amusing romp. That the film feels
constructed for very young children is more than a little
annoying, but there's enough sharp humour to keep us laughing.
After
holding a grudge against the International Rescue team for
years, The Hood (Kingsley) has a plan: He lures Jeff Tracy
(Paxton) and his world-saving sons to the orbiting Thunderbird
5 then strands them there! Then he steals Thunderbird 2
to rob the Bank of London, blaming it on the IR team. But
he forgets about three teens: youngest brother Alan Tracy
(Corbet), chomping at the bit to be an action hero; his
pal Fermat (Futon), a nerd just like his dad, the Tracy's
tech-genius Brain (Edwards); and Tin-Tin (Hudgens), daughter
of the housekeepers, who knows Tracy Island inside out.
Filmed
in a zany, colourful style reminiscent of the Spy Kids movies,
this is enjoyable fun until earnest lines of dialog bring
everything to a shrieking stop. As he did with Clockstopppers,
Frakes directs the film in a condescending style that underestimates
the audience badly--it's just too childish and simplistic.
But the performances are quite good, the effects are garish
enough that the filmmakers get away with it, and there are
terrific jokes and visual gags generously scattered through
the witty script. Most of these come courtesy of Myles and
Cook as the super-pink British spy Lady Penelope and her
bulldog-like driver Parker; they're fantastic good fun!
And Corbet plays Alan's coming-of-age nicely as well--bursting
with teen angst and pent-up energy.
You
just wish the filmmakers had a bit more faith in their audience;
trying to overlay a forced moral lesson onto a film like
this is both pointless and tiresome. There's also far too
much glaring product placement, one of which reaches such
satirical proportions that they might has well have called
the film Thunderbirds: Sponsored by Ford! And everything
is aimed at the very young, from cheesy exposition to toothless
violence to a contrived plot that really has to keep working
to make sure the kids are the heroes. And yet we cheer for
them anyway!
Rich
Cline
Back
in the 1960s, puppeteer and sci-fi pioneer Gerry Anderson
created a beloved children’s series that developed
a cult following and can still be seen on TV today.
His
little series that could was the high-action rescue series,
“Thunderbirds” which followed the adventures
of a family of marionettes in the distant future. They were
the Tracys.
What
made Anderson’s series stand out from the rest of
the shows on TV was his use of a technique he called “Supermarionation”.
This use of puppets in a major television show predates
Jim Henson but paved the way for puppets in other forms
of television shows. Kids also adored Gerry’s world
of puppet characters and adventures.
Anderson
also used his “Supermarionation” to spawn other
puppet-fueled shows like “Fireball XL-5”, “Stingray”,
“Supercar” and of course “Captain Scarlet
and the Mysterons”.
Now
in 2004, Gerry Anderson’s legacy is expanding with
a new “Captain Scarlet” series in the making
for 2005 and a new feature film made from his classic series,
“Thunderbirds”.
In the
new feature film of Thunderbirds, Bill Paxton plays astronaut-billionaire
patriarch, Jeff Tracy who heads an elite rescue unit staffed
by his 5 sons. The unit is stationed in a remote island
in the South Pacific but when the world needs to be rescued
the Tracys jump into their magnificent machines and become,
Thunderbirds.
In this
new live-action tale conceived by screenwriters William
Osborne and Michael McCullers, the Tracys must save son
John Tracy (Lex Shrapnel) when Thunderbird 5, the Tracy’s
orbiting satellite is disabled in a sneak attack.
As they
rescue John, their base of operations is taken over by a
sinister villain known as The Hood (Ben Kingsley) and the
only people that seem to be able to help the Tracys and
their base are three junior Thunderbirds.
The
juniors consist of the youngest Tracy, Alan (Brady Corbet),
Tintin (Vanessa Anne Hudgens), daughter of the island caretaker
Kyrano and Fermat (Soren Fulton), son of the team’s
science whiz, Brains (Anthony Edwards).
There
have always been a lot of problems with bringing a classic
cartoon series to the big screen. There is the casting,
the look of the film and of course the jokes. Can the same
cartoon styled humor work in a live-action setting?
In the
case of “Thunderbirds”, we have a faithful translation
and realization of what and who these characters are. It
is in that faithful transition that we can find so much
enjoyment.
For
example the portrayals of Lady Penelope (Sophia Myles) and
her driver Parker (Ron Cook) are so like their marionette
counter-parts that I could actually visualize the puppets
saying their lines. They were such amazing performances.
Then
there are the vehicles, aided heavily by CGI, are direct
duplicates of the ones from the series. It is amazing how
they made these zany vehicles feel so real. I especially
loved the look and feel of Thunderbird 2.
The
junior Thunderbirds are a clever idea so that such a classic
concept can be exposed to a new generation of fans. This
concept has gone horribly wrong in previous attempts but
this time it just feels right.
Some
of the problems I had did have come from bringing cartoon
characters to the big screen and that the film is geared
towards a younger audience. But that is exactly where the
series aimed and succeeded.
“Thunderbirds”
is a fast, delightful and stylized family film that not
only embraces the audiences of the past but also enlightens
audiences of the future.
I wonder
what Gerry Anderson thinks?
(4 out of 5)
So Says the Soothsayer
Dean
Kish
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