Torque
Movie Review:
You escort
your slick two-wheeled engine of doom up to the line. You
strap on your helmet as you snarl at your competitor. The
sun reflects off your
slick leather ensemble as you glide your leg over the mean
machine's hardened leather seat. Your hands grasp the handles
as you hear a faint
squeak of your leather gloves. You are ready for combat.
The
revving commences and in a flash you hope to leave your
competitor a victim at the line. But instead you watch as
your bike stalls and your enemy screeches away. The name
of your enemy is "The Fast & the Furious"
and you are just left being the "The Fake & the
Scriptless".
And
that about sums up the new action film, Torque, which is
brought to you by the same producers who did "The Fast
& the Furious" and "XXX".
In the
loose-meat storyline housed within "Torque", we
find rebel biker Cary Ford (Martin Henderson) returning
to his hometown to face his past demons
and reclaim the woman (Monet Mazur) he loves. Ford must
first face down a ruthless FBI agent (Adam Scott) and two
biker rivals (Ice Cube and Matt Schulze).
The
one-note storyline allows for slick two-dimensional performances
from the film's leads and forgettable one-dimensional ones
from the supporting cast which includes B-movie veterans
Schulze and Jaime Pressly.
There
are a lot of western and rebel references as the recent
world of the biker never seems to translate well to screen.
These guys don't drive for
the "need for speed" or celebrate in their rebellion
but instead they just clunk around like they were lost on
paper which it is no surprise that this
is the first script from screenwriter Matt Johnson. There
are oodles of rookie mistakes in this one.
I kind
of felt sorry for some of the actors lost in this film like
Henderson, Pressly, Mazur and of course under-rated Max
Beesley who once more finds himself in an awful project.
As a
B-film I did find some great belly-laughs like at the biker
chick showdown between Mazur and Pressly which is probably
the worst game of
chicken on celluloid. And Pressly's biker chick character
is ripped right from a re-run of "Black Scorpion".
It had to be with all that lip lickin'.
Roger Corman would adore that character.
I do
have to admit that the stunts and some of the "filled-to-the-brim"
cheese was fun but for the most part "Torque"
should and will be an embarrassment to both the outlaw and
speed-freak bikercommunity.
Just
forget "Torque" if you can.
(1 out of 5)
So Says the Soothsayer.
Dean
Kish
It's
less than two week's into 2004 and already Torque has the
distinction of revving up to be one of the worst movies
we'll see (or hoepfully not) this year.Torque is a action
biker film from Neal H. Moritz, the producer of The Fast
and the Furious, 2 Fast 2 Furious, XXX, and S.W.A.T. This
film is just beyond the suspension of disbelief and stupidity;
it is loud, cheesy and never hits on any cylinders.
The
somewhat story of Torque follows biker Cary Ford (The Ring’s
Martin Henderson), a wrongfully accused criminal that has
returned to his past biker
paradise after hiding away in Thailand. Six months prior
to fleeing, Ford was in possession of two of the ruthless
Henry James’ (Matt Schulze) bikes, which contained
valuable drugs in the gas tanks. Ford hid the bikes and
fled to Thailand with the FBI on his tail and James left
furious. He has now return "to make things right,"
and to reconnect with his past love Shane (Just Married’s
Monet Mazur). However, when James learns of Ford’s
return he murders a rival biker hothead named Junior (Fredro
Starr) and blames the murder on Ford. Now,
not only fleeing from the authorities and James, Junior’s
aggressive brother Trey (Ice Cube), head of the biker gang
"The Reapers," is looking for revenge
as well. Numerous chase scenes in ensue from the desert
to the streets of Los Angeles as Ford once again tries ‘to
make things right" and win back his old girlfriend.
This
is a terrible action film full of many impossible stunts
and chase scenes, which are so over the top that each calls
for more laughs in disarray
than awe of spectacle. Torque is actually worse than the
hideous Fast and the Furious films. Music video director
Joseph Kahn supposedly wanted to
orchestrate his chase sequences and fights between the characters
as reflective of a
comic book. Whatever he was thinking or tried to do, it
just does not work. Though the characters are roaring down
the road over 100 miles per hour on
these flashy motorcycles, they can still talk their heads
off and have conversations with one another. The characters
also find a way to continue their
conversations at these high speeds with their helmets on
as well. Ice Cube’s character in fact takes a cell
phone call while he is riding his motorcycle; he just easily
attaches the phone to his helmet so he can talk to the person
on the
other end of the line. Kahn also has silly montage moments
throughout the film; such as once Ford arrives at a biker
festival, many bikes, trophies, and more than anything wet
half-naked women are plastered upon the screen. The weakest
of Kahn’s choices are the dreadfully orchestrated
action sequences. One contains Ford and Ice Cube’s
character chasing one another on their bikes, while
on top of a moving train and another has two women conducting
a fistfight while riding on their bikes.
There
is also not much better to say about the script by Matt
Johnson, except that it is the blueprint for the idiocy
of this film. Of course each time a character hops on a
motorcycle, their has to be a screeching peel out, or they
just crash through a window to be cool, such as what Ford
does at the end of the film. Besides having his characters
take phone calls while riding on motorcycles, Johnson has
Henry James receiving a cell phone call while he and his
gang are all relieving themselves off the side of a cliff.
The characters give insight about their bikes, such as the
film’s special bike, which has a
helicopter engine and can get from 0 to 200 miles per hour
in 10 seconds. The dialogue in the film is also nauseating,
with characters uttering lines like "You ain’t
gonna like how this ends." Johnson and the filmmakers
also poke fun at themselves with Ford delivering the same
line of dialogue from The Fast and the Furious of "
I live my life a quarter of a mile at a time," then
having another character replying "That’s stupidest
thing I have ever heard." It does seem that the creators
of this film had a sense of humor during the making of this
film.
There
is no explanation for Ice Cube to be in this film, he is
far better than his weak role as an angered biker wanting
revenge. His performance is
so over the top with his rage, which is reflective of the
stereotypical roles he played early in his acting career.
Let’s hope he fares better in Barbershop
2 next month. Martin Henderson, who played Naomi Watt’s
estranged boyfriend in The Ring, is no leading man as Ford.
Henderson delivers a wooden performance as the biker looking
for compromise. Matt Schulze sports a very bad hair
cut as the villain Henry James and the beautiful Jamie Pressly
sports many tattoos and piercings in her twisted turn as
the villain’s girlfriend China. Monet Mazur also does
not fare that well or add anything to the film in her role
as the female lead Shane.
Torque
is just an awful action filled film that comes nowhere close
to being entertaining. More than anything it will make you
wonder how a film like
this got made. Perhaps Torque will serve as a delight for
fans of Neal H. Moritz’s past films or as a guilty
pleasure. This film is unbearable and do not
expect it to make any noise in the box office.
Grade: F
Joseph
C. Tucker
A better
title would have been The Loud and the Ludicrous, as this
noisy motorbike action movie strives to catch the energy
of those fast, furious car flicks. If it took itself just
a little less seriously it could have been great fun; but
it isn't even coherent enough to work as a spoof.
The
Western-inspired plot actually has promise: After several
months in hiding, Ford (Henderson) comes back to town with
his two loyal sidekicks (Hernandez and Lee) to settle an
old score involving two drug-filled motorcycles he stole
from a pair of vicious dealers (Schulze and Beesley). But
the druggies turn the tables, and frame Ford for the murder
of the hothead baby brother of a gang leader (Cube). So
while Ford tries to rekindle the romance with the girl (Mazur)
he left in the lurch, he also has to outwit the thugs, outrun
the angry brother and stay out of reach of a pair of fashionista
FBI agents (Scott and Machado).
The
problem isn't the plot, it's the way music video veteran
Kahn directs the film with a total disregard for storytelling.
He subverts every scene with jangled camera work, unnecessarily
choppy editing, deafening sound effects and gratuitous digital
whizzery. All of which muddles and dilutes the film hopelessly.
The actors struggle manfully to cope with the chaos; Henderson
emerges above the din as a magnetic leading man in search
of a decent director. The cast around him also have their
moments, although Cube does little besides snarl at the
camera, and Beesley really needs to stop trying to play
tough guys. Everyone looks great in his or her formfitting
leathers, but watching them is the only joy in the whole
movie. It's in desperate need of both comic relief (the
few attempts are seriously lame) and sex (or at least a
bit of shirtlessness). It's such an illogical concoction
that after the first few minutes, as you adjust your senses
to the onslaught, you begin to wonder if this is a parody
of boisterous action movies. No such luck.
Rich
Cline
Returning to California after spending six months on the
run in Thailand, Ford (Henderson) has finally come up with
a plan that will clear his name. With the FBI on his trail
for drug trafficking, he turns to his ex-girlfriend Shane
(Mazur) for help but before he can put his plan in motion,
he is framed by Henry James (Schulze), the leader of a biker
gang and the real drug trafficker, for the death of rival
gang leader Trey Wallace’s (Cube) brother. Now Ford
has the authorities, a brother looking for revenge and Dalton
on his tail, so the only thing he can do is grab his motorbike
and ride as fast as he can for the border.
Imagine
“The Fast and the Furious” on motorbikes but
without any plot and some of the worse special effects you
will ever see and you have “Torque”.
This
is a movie that is all style and no substance but even then
the style isn’t that great. The over reliance of computer
generated special effects is far too evident in the chase
sequences. Sometimes, especially during the final climatic
chase, you feel like you are watching a computer game not
a movie, the CG is that bad. You will find yourself laughing
when you should be exhilarated, that’s how appalling
his movie is.
After
making a name for himself in the US remake of “The
Ring”, Martin Henderson tries to enter the action
market. While he has the looks and the swagger to make his
way in the genre, he will need another shot to announce
his entrance into the action hero fraternity. He does have
leading man qualities but this movie is neither challenging
nor believable enough to get him noticed.
Ice
Cube switches from comedy to action quite easily however
and he probably has the best part in the movie. You have
to wonder why he took the role though because it does nothing
to advance his career. Matthew Schulze seems to play the
same character whenever he appears in a movie and this film
is no exception. The man has such a limited range that the
only way you could tell his performances apart are his different
costumes and haircuts. Monet Mazur is just the eye-candy
of the piece and a particularly nice one at that but she
does do quite well in a completely over the top bike battle
catfight with Jaime Pressly.
Torque
is a lesser version of the Fast and the Furious movies and
that is saying something. In fact director Joseph Khan could
almost be accused of plagiarism with his only defence been
“they are on motorbikes”. This is mindless pap
at its most mindless that has no originality at all, offering
nothing new to the genre. It certainly won’t make
you want to go out and buy a super bike any time soon.
Star
Rating = *
Jamie Kelwick
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