Underworld
Movie Review:
For
over six centuries there has been a war between Vampires
and Lycans. After the death of the Lycan leader Lucian (Sheen)
at the hand of vampire warrior Kraven (Brolly), the elite
vampire forces known as Deathdealers, headed by Selene (Beckinsale)
has taken the war to a new level, wiping out the Lycans
before they even transform into their werewolf form. But
just as the vampires thought they were getting on top, Lycan
activity has stepped up as they are now targeting humans
and Michael Corvin (Speedman) is their chief target.
Bringing
together horror’s biggest mythologies sounds like
a dream ticket for all fans of the genre but what we have
is a slightly missed opportunity.
Underworld
has a lot of things going for it. The premise is electrifying
as the thought of Vampires and Werewolves fighting it out
with automatic weapons is enough to get any horror fan salivating.
The look of the movie mixes the Gothic style of Eastern
Europe with modern technology and cutting edge fashion.
The action takes everything that is good from Blade, The
Matrix and early John Woo and stirs them into an action
concoction that is as satisfying as it is bloody. The problem
is they forgot about having a comprehensible plot.
Back
story is only revealed in short flash back sequences, how
the Deathdealers came to be is never really explained and
the level of detail for most of the key story elements needs
too much thinking about to let the plot flow at any real
pace. You end up realising the reasons for action way after
you should have or even after the movie has ended. Also
while the Werewolves still follow the mythology, with one
explained exception, the vampires are totally different
from the norm. They have reflections, no fear of the cross,
can enter a house uninvited and can be quite easily killed.
Another
problem is that not all the characters are fleshed out enough.
Kraven’s motivations are never truly explained and
Shane Brolly doesn’t look evil or strong enough to
be the leader of the Vampires. You really can’t take
Bill Nighy as the father of the vampires either, as he just
sounds slightly camp and also the reasons for his extended
sleep is never really explained.
On the
plus side Kate Beckinsale makes an excellent heroine and
proves that anyone can do action successfully with the right
training. She looks absolutely stunning in her tight PVC
outfit and comes across as a perfect vampire, sexy and alluring
with a strong hint of danger. Scott Speedman is also good
as Michael but while most of his story is engaging, his
big finale is a slight let down.
Underworld
had all the potential to be a classic piece of action horror.
While it does deliver the promised battle between werewolves
and vampires with some style and some excellent special
effects, the lack of a comprehensible plot never lets the
movie get out of the good category. It is just an entertaining
piece of eye candy but you can’t help thinking that
it could have been so much more.
Star
Rating = * * *
Jamie
Kelwick
The Usher
Beneath
our city streets and deep within our darkest sewers, a masquerade
lives on. This masquerade must not be revealed to human
eyes as a blood-thirsty war brews on. For centuries vampires
have hunted “lycans” or werewolves in hopes
of committing a final act of complete genocide.
At the
centre of that war is a cold, beautiful and rebellious hunter
or the elite of the vampiric forces and their endless fight
in the night. She is Selene (Kate Beckinsale).
An innocent
human Michael Corvin (Scott Speedman) is being hunted by
lycans when Selene stumbles upon him. Why do her greatest
enemies want such a human so bad? What does this human have
that is so desperately needed by the lycans?
Just
as Selene is about to save Michael from an onslaught of
lycans, he is bitten by a lycan and the whole dynamic changes.
How can Selene uncover this mystery when he has now become
her enemy? Should she protect this man from lycans or vampires?
An innocent soul is about to unravel her world for all time.
“Underworld”
is a dark, dismal and leather-clad world where a new take
on the whole classic gothic world is being brought forth.
The concept, ideas and even some of the characters are interesting
and overly brooding. The greatest aspect of the film is
the concept and how it desperately wants to be taken seriously.
It being so overly serious is where I find that the film
needed a lot of work.
For
an epic gothic film to work one has to have something to
relate to. There is no contrast in this film since we are
never quite sure who to route for since everything isn’t
revealed until the film’s finally 40 minutes. The
film is almost swallowed in its ignoring of yin and yang
or light vs. dark.
What
could have helped this film with its overly brooding and
dismal depiction is the injection of some humor. This counter
balance could have allowed for us to relate better with
these other-worldly characters. Without the balance of yin
and yang the film just comes off as a very dry melodrama.
The
sets and textures of the world itself leave a lot to the
imagination. There is so much black in this film that you
have to create color from your squinting eyes to make out
characters in some scenes. Doesn’t the sun ever come
out?
It is
blatantly obvious that the film’s action sequence
will be compared to “The Matrix” because anytime
you have slow-mo action scenes with leather-clad warriors
it is a predictable conclusion. There are also comparisons
to “Blade” but if it were me I’d take
Selene over Blade any day. I enjoyed a lot of the action
sequences when they were visible. But a lot of teeth and
leather-clad action sequences, a great film it doesn’t
make.
Speaking
of Selene, Kate Beckinsale is beautiful, violent and daring
as the vampire hunter. With a flick of her hair, lick of
her lips or motion of her rubber-encased legs, you are captivated.
Her appearance and envelopment of the character brings a
striking charisma to this lethal soldier. In some ways,
Selene is the perfect “Buffy the Lycan Slayer”.
Scott
Speedman (Michael) and Bill Nighy (vampire-lord Viktor)
are sturdy as the male leads and a good contrast to Selene.
I especially like Nighy and how he was able to be so menacing.
I had a hard time with the chemistry between Speedman and
Beckinsale. I didn’t feel any raw attraction which
is key in making the romantic angle work. There was more
chemistry between Beckinsale and Nighy in their pseudo-father-daughter
relationship.
“Underworld”
is in the purest sense of the words, a melodramatic gothic
mob story with a romantic subplot. There is a lot to like
here but I felt overwhelmed by the film’s dry and
very thick dogma.
3.5
out of 5
Dean
Kish
So
Says the Soothsayer
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