Waiting
For Happiness Movie Review:
This
lyrical, enigmatic West African film captures the details
of its place and time beautifully. It's a slice of life
in Nouadhibou, a coastal town where the Sahara meets the
Atlantic, and where travellers await transportation to the
promised land. The young Abdallah (Mohamed) arrives to spend
some time with his mother (Ahmeda) before heading off for
Europe. He doesn't speak the local dialect so he just observes
people around him.
The buzzing focal point of the village seems to be young
orphan Khatra (Kader), an energetic boy working with an
aging electrician (Abeid) who helps Abdallah learn some
of the language while wiring up homes with light. We also
meet Abdallah's seductive neighbour (Diakite), a traditional
music teacher (Choueikh) and another young man (Dabo) who
seems to foreshadow the fate in store for Abdallah.
All
of this is observed by writer-director Sissako in minimalist
style; this is a skilfully shot film, with startling images
and a gentle pace that frequently comes to a full stop just
to capture the rhythms of life in an earthbound purgatory
where everyone's merely waiting for the next step. The vague,
atmospheric style is mesmerising (and maybe sleep-inducing!),
with constantly blowing sand and expanses of sea and desert
stretching so far that it feels like a distant planet! Meanwhile
the characters are vivid and fascinating, full of running
jokes and clever sight gags. The small scenes tell us exactly
what this life must be like--street vendors, a doctor's
office, a karaoke bar, carefully orchestrated encounters
between men and women and, most tellingly, an almost subliminal
obsession with Western culture.
While the film feels random and meandering, strong themes
echo from start to finish, mostly concerning the quietly
shifting sands of tradition and culture, as well as the
emotional cost of leaving home for an unknown, possibly
hopeless future. Images of ships wrecked and rusting off
the shore and on sandbars are powerfully foreboding.
And while the film as a whole is probably full of symbolism
we can never understand, it still takes us with real artistry
to a profoundly meaningful place.
Rich
Cline
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